Bruce is crowned for the second time in two days by Isabel MacDuff, Countess of Buchan. Colour litho by Williams, Morris Meredith (1881-1973).

With attention focused on the approaching 700th anniversary of the Battle of Bannockburn, it’s worth taking a look at the events and figures instrumental in the lead-up to the momentous battle. Strangely absent from the legends surrounding Bannockburn is the role played by women, even though one largely looked-over heroine enabled Robert the Bruce’s claim to the Scottish throne on this day 708 years ago.

Like a lot of periods in Scottish history, the early 14th century was a rather tumultuous time. Fresh of the back of the the 13th century’s succession disputes, and William Wallace’s failed uprising, Scotland was then ruled as a province of England by Edward I. Bruce had become a guardian of Scotland, alongside his biggest rival for the Scottish throne, John III Comyn, Lord of Badenoch. In 1306, Bruce quarreled with Comyn and stabbed him to death at Greyfriars Kirk in Dumfries, cementing a deep hatred between the Bruce and Comyn families.

The killing of John Comyn in the Greyfriars church in Dumfries, as seen by Felix Philippoteaux, a 19th-century illustrator.

Isabel MacDuff, second cousin to Robert the Bruce, had the great misfortune of being married a few years earlier to Comyn’s cousin, John Comyn, Earl of Buchan. Some historians and authors believe she may also have been one of Bruce’s lovers. Following the murder at Greyfriars, it’s safe to say times were tough for Isabel. She took the contrary view to her husband, instead supporting the Bruce by taking the Scottish side in the Scottish Wars of Independence.

Robert’s coronation took place on either March 25 or 26 1306 in Scone, however tradition at the time stated all Kings must be crowned near the stone of destiny and/or anointed by the Kirk. Unfortunately the stone had been removed by Edward I a few years earlier, and the Kirk would have been hardly willing to crown Bruce following his actions at Greyfriars. Another tradition was sought to cement the claim, and it just so happened that the MacDuff clan held a hereditary right to crown Kings of Scotland.

Robert the Bruce and Isabel MacDuff immortalised in stone at Edinburgh Castle

Meanwhile, Isabel’s husband John was in England at this time so, on hearing the news of the impending coronation of the new king, she took her husbands horses and rode to Scone, unfortunately arriving a day late. However, because so many traditional elements of the crowning were absent from the first crowning, a second crowing with Isabel representing the MacDuff family tradition on either the 26th or 27th of March solidified Bruce’s right to the kingship of Scotland, thus effectively cutting off Isabel’s ties to her Comyn family.

Isabel stayed on with Bruce, but was betrayed and captured shortly after Bruce’s defeat at the Battle of Methven in June 1306. Edward I of England ordered her sent to Berwick-upon-Tweed with these instructions:

“Let her be closely confined in an abode of stone and iron made in the shape of a cross, and let her be hung up out of doors in the open air at Berwick, that both in life and after her death, she may be a spectacle and eternal reproach to travellers.”

She was imprisoned in this cage for four years, then moved to the Carmelite friary at Berwick. This was not necessarily a humanitarian move; it is suggested that by this stage Bruce was gaining support, his female relatives were potentially valuable hostages, and the English did not want them to die of ill-treatment. The last clear mention of her is being transferred again in 1313, one year before the Battle of Bannockburn, with her eventual fate uncertain.

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The image of the lion in art and culture dates back to pre history and cave paintings. Our ancient ancestors who’s story began in Africa would have admired these powerful beasts and they would become symbols of noble savagery. As society advanced the symbolism became stronger; In ancient Egypt the lioness was merged with the human to create the sphinx.

In almost every other culture the lion was also present. Hittites, Assyrians, Babylonians, Persian and many early islamic cultures. Its not hard to understand, after all the lioness is a dedicated mother and ruthless hunter, the male lion a majestic animal that defends his pride with fury. a good role model for early civilisations.

The lion probably entered early Christian culture via a manuscript called the ‘Physiologus’. This document probably dates back to around the 2nd century AD and consists of a number of descriptions of animals and birds as characters in a series of moral tales. In the opening story a lioness gives birth to stillborn cubs but the lioness brings them to life by breathing upon them, this and other similar stories are a direct reference to the idea of Christ’s resurrection and the redemption of man. The Physiologicus also gives us the story of the Pelican wounding herself to feed her young, an image that can be seen on the Stewart crest.

In the middle ages the manuscript was translated into latin and spread through central Europe and was adapted into several ‘Bestiaries’ With such strong links to these moral tales such animals would naturally form the cornerstone of heraldic symbolism where they would become like ‘moral flash cards’.

Such tales established the idea of the lion as the ‘king of the beasts’ and so its understandable that heraldic art would take on this concept of using the lion as a symbol of the ruling elite. This symbol entered Scottish heraldry with King William I. Known as William the Lion this tag did not come from his appearance of character but simply from his adoption of the lion as part of his own standard. His successor Alexander II took the same red lion rampant on a yellow ground and made this the royal symbol that would become the well known Royal Standard of Scotland.

I have used the phrase ‘rampant’ above. this refers to the attitude that the animal adopts, in this case raised up on hind legs and paws raised to strike (the lion can stand on either one or two legs depending on tradition although in British heraldry it tends to be one with the other also poised to strike). There are many other attitudes that animals such as lions, wildcats etc can assume; ‘Passant’ is walking with one fore paw raised, ‘Statant’ is standing with all paws on the ground, ‘Salient’ is leaping, ‘Sejant’ means in a sitting position and so on. Other phrases you may hear are ‘Guardant’ or ‘Affrontee’, where the animal faces the viewer and ‘Regardant’ where the animal looks to its rear.

With such strong links to Scottish royalty its no surprise that the Scots nobility would incorporate the lion into their own arms, some such as MacGregor make no secret of this with a lions head and the motto which translates as ‘Regal is my Race’. Here are the clans  and Scottish armigerous families we know of that use the lion symbol in their crests.

Baxter (A Lion Passant)

Broun (Rampant)

Bruce (Statant)

Chalmers (Head and Neck)

Cumming (Rampant)

Dundas (Head, Guardant)

Fairlie (Head Couped)

Farquharson (Rampant)

Heron (Demi Lion Rampant)

Home / Hume (Head)

Inglis (Demi Lion Rampant)

Little (Demi Lion Rampant)

Lundin (Demi Lion Rampant)

MacDowall (Lion’s Paw)

MacDuff (Rampant)

MacGregor (Head)

MacLaren (Head)

MacPhee (Demi Lion Rampant)

Maitland (Sejant, Affrontee)

Middleton (Demi Lion Rampant)

Moncrieffe (Demi Lion Rampant)

Moubray (Demi Lion Rampant)

Newton (Demi Lion Rampant)

Nicolson (Demi Lion Rampant)

Pentland (Head)

Primrose (Demi Lion Rampant)

Stuart of Bute (Demi Lion Rampant)

Vans (Rampant)

Young (Demi Lion Rampant)

Its easy to be confused about how an animal native to Africa could have such a profound symbolic influence in Europe, we should also remember that lions though not native or wild would have been brought over with invading Romans who would have kept the creatures for games or even as status symbols. Personally though I prefer to believe that it was not these poor caged beasts that influence the heralds of early mediaeval Europe but the lion tales of old that were seen as symbols of the ancient code of chivalry.

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